Jumat, 30 Agustus 2013

[F579.Ebook] Download Ebook The AWK Programming Language, by Alfred V. Aho, Brian W. Kernighan, Peter J. Weinberger

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The AWK Programming Language, by Alfred V. Aho, Brian W. Kernighan, Peter J. Weinberger

The AWK Programming Language, by Alfred V. Aho, Brian W. Kernighan, Peter J. Weinberger



The AWK Programming Language, by Alfred V. Aho, Brian W. Kernighan, Peter J. Weinberger

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The AWK Programming Language, by Alfred V. Aho, Brian W. Kernighan, Peter J. Weinberger

Originally developed by Alfred Aho, Brian Kernighan, and Peter Weinberger in 1977, AWK is a pattern-matching language for writing short programs to perform common data-manipulation tasks. In 1985, a new version of the language was developed, incorporating additional features such as multiple input files, dynamic regular expressions, and user-defined funcitons. This new version is available for both UNIX and MS-DOS.

  • Sales Rank: #179908 in Books
  • Published on: 1988-01-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.10" l, .65 pounds
  • Binding: Paperback
  • 210 pages

From the Back Cover

Originally developed by Alfred Aho, Brian Kernighan, and Peter Weinberger in 1977, AWK is a pattern-matching language for writing short programs to perform common data-manipulation tasks. In 1985, a new version of the language was developed, incorporating additional features such as multiple input files, dynamic regular expressions, and user-defined functions. This new version is available for both Unix and MS-DOS.

This is the first book on AWK. It begins with a tutorial that shows how easy AWK is to use. The tutorial is followed by a comprehensive manual for the new version of AWK. Subsequent chapters illustrate the language by a range of useful applications, such as:

  • Retrieving, transforming, reducing, and validating data
  • Managing small, personal databases
  • Text processing
  • Little languages
  • Experimenting with algorithms
The examples illustrates the book's three themes: showing how to use AWK well, demonstrating AWK's versatility, and explaining how common computing operations are done. In addition, the book contains two appendixes: summary of the language, and answers to selected exercises.



020107981XB04062001

About the Author

Brian W. Kernighan works in the Computing Science Research Center at Bell Laboratories, Lucent Technologies. He is Consulting Editor for Addison-Wesley's Professional Computing Series and the author, with Dennis Ritchie, of The C Programming Language.

020107981XAB04062001

Excerpt. © Reprinted by permission. All rights reserved.

Computer users spend a lot of time doing simple mechanical data manipulation -- changing the format of data, checking its validity, finding items with some property, adding up numbers, printing reports, and the like. All of these jobs ought to be mechanized, but it's a real nuisance to have to write a special-purpose program in a standard language like C or Pascal each time such a task comes up.

Awk is a programming language that makes it possible to handle such tasks with very short programs, often only one or two lines long. An awk program is a sequence of patterns and actions that tell what to look for in the input data and what to do when it's found. Awk searches a set of files for lines matched by any of the patterns; when a matching line is found, the corresponding action is performed. A pattern can select lines by combinations of regular expressions and comparison operations on strings, numbers, fields, variables, and array elements. Actions may perform arbutrary processing on selected lines,; the action language looks like C but there are no declarations, and strings and numbers are built-in data types.

Awk scans the input files and splits each input line into fields automatically. Because so many things are automatic--input, field splitting, storage management, initialization--awk programs are usually much smaller than they would be in a more conventional language. Thus one common use of awk is for the kind of data manipulation suggested above. Programs, a line or two long, are composed at the keyboard, run once, then discarded. In effect, awk is a general-purpose programable tool that can replace a host of specialized tools or programs.

The same brevity of expression and convenience of operations make awk valuable for prototyping larger programs. One starts with a few lines, then refines the program unitil it doesth edesired job, experimenting with designs by trying alternatives quickly. Since programs are short, it's easy to get started, and easy to start over when experience suggests a different direction. And, it's straightforward to translate an awk program into another language once the design is right.

Organization of the Book

The first goal of this book is to teach you what awk is and how to use it effectively. Chapter 1 is a tutorial on the bare minimum necessary to get started; after reading even a few pages you should have enough information to begin writing useful programs. The examples in this chapter are very short and simple, typical othe interactive use of awk.

Chapter 2 covers the entire language in a systematic order. Although there are plenty of examples in this chapter, like most manuals it's long and a bit dry, so you will probably want to skim it on a first reading.

The rest of the book contains a wide variety of examples, chosen to show the breadth of applicability of awk and how to make good use of its facilities. Some of the programs are in regular use in our environment; others show ideas but are not intended for production use; a few are included just because they are fun.

The emphasis in Chapter 3 is on retrieval, transformation, reduction and validation of data--the tasks that awk was originally designed for. There is also a discussion of how to handle data like address lists that naturally comes in multiline chunks.

Awk is a good language for managing small, personal databases. Chapter 4 discusses the generation of reports from databases, and builds a simple relational database system and query language for data stored in multiple files.

Awk handles text with much the same convenience that most languages handle numbers, so it often finds application in text processing. Chapter 5 describes programs for generating text, and some that help with document preparation. One of the examples is an indexing program based on the one we used for this book.

Chapter 6 is about "little languages," that is, specialized languages that focus on a narrow domain. Awk is convenient for writing small translators because it's basic operations support many of the lexical and table- management tasks encountered in translation. The chapter includes an assembler, a graphics language, and several calculators.

Awk is a good language for expressing certain kinds of algorithms. Because there are no declarations and because storage management is easy, an awk program has many of the advantages of pseudo-code but awk programs can be run, which is not true of pseudo-code. The focus in Chapter 7 is on experimentation with algorithms, including testing and performance evaluation. It shows several sorting algorithms, and culminates in a version of the Unix make program.

Chapter 8 describes some of the historical reasons why awk is as it is and offers some suggestions on what to do when it is too slow or too confining.

Appendix A is a summary of the language; Appendix B contains answers to selected exercises.

You shoul begin by reading Chapter 1, and trying some small examples of your own. Go through Chapter 2 quickly, concentrating on the summaries and tables; don't get bogged down in the details. Then read as far into each of the subsequent chapters as your interest takes you. These chapters are nearly independent of each other, so the order doesn't matter much.

The Examples

There are several themes in the examples. The primary one, of course, is to show how to use awk well. We have tried to include a wide variety of useful constructions, and we have stressed particular aspects like associative arrays and regular expressions that typify awk programming.

A second theme is to show awk's versatility. Awk programs have been used from databades to circuit design, from numerical analysis to graphics, from compilers to system adminstration, from a first language for nonprogrammers to the implementation language for software engineering courses. We hope that the diversity of applications illustrated in the book will suggest new possibilities to you as well.

A third theme is to show how common computing operations are done. The book contains a relational database system, an assembler and interpreter for a toy computer, a graph-drawing language, a recursive-descent parser for an awk subset, a file-update program based on make and many other examples. In each case, a short awk program conveys the essence of how something works in a form that you can understand and play with.

We have also tried to illustrate a spectrum of ways to attack programming problems. Rapid prototyping is an approach that awk supports well. A less obvious strategy is divide and conquer; breaking a big job into small components, each concentrating on one aspect of the problem. Another is writing programs that create other programs. Little languages define a good user interface and often suggest a sound implementation. Although these ideas are presented here in the context of awk, they are much more generally applicable and ought to part of every programmer's repertoire.

The examples have all been tested directly from the text, which is in machine-readable form. We have tried to make the programs error-free, but we have not added features nor made them proof against all possible invalid inputs, preferring to concentrate on conveying the essentials.

Evolution of the AWK language

Awk was originally designed and implemented by the authors in 1977, in part as an experiment to see how the Unix gools grep and sed could be generalized to deal with numbers as well as text. It was based on our interests in regular expressions and programmable editors. Although it was meant for writing very short programs, its combination of facilities soon attracted users who wrote significantly larger programs. These larger programs needed features that had not been part of the original implementation, so awk was enhanced in a new version made available in 1985.

Other enhancements include dynamic regular expressions, with text substitution and pattern-matching functions; additional built-in functions and variables; some new operators and statements; iput from multiple files; and access to command-line arguments. Error messages have also been improved. The examples in Chapter 1 use only facilities of the original version; many examples in later chapters take advantage of new features.

The version of awk is partof Unix System V Release 3.1. Source code for this version is also available through AT&T's Unix System Toolchest software distribution system; call 1-201-522-6900 and log in as guest. In Europe, contact AT&T Unix Europe in London (44-1-567-7711); in the Far EASt, contact AT&T Unix Pacific in Tokyo (81-3-431-3670).

Since awk was developed under Unix, some of its features reflect capabilities usually found only there; these features are used in some of our examples. Furthermore, we have assumed the existence of some Unix utilities, particularly sort, for which exact equivalents may not exist elsewhere. Aside from these limitations, however, awk should be useful in any environment; in particular, it runs on MS-DOS. Further information is available from Addison-Wesley.

Awk is certainly not perfect; it has its share of irregularities, omissions, and just plain bad ideas, and it's sometimes painfully slow. But it's also a rich and versatile language, useful in a remarkable number of cases. We hope you'll find it as valuable as we do.

Acknowledgments

We are deeply indebted to friends who made comments and suggestions on drafts of this book. We are particularly grateful to Jon Bentley, whose enthusiasm has been an inspiration for years. Jon contributed many ideas and programs derived from his experience using and teaching awk; he also read several drafts with great care. Doug McIlroy also deserves special recognition; his peerless talent as a reader greatly improved the structure and content of the whole book. Others who made helpful comments on the manuscript include Susan Aho, Jaap Akkerhuis, Lorinda Cherry, Chris Fraser, Eric Grosse, Ricardo Gusella, Bob Herbst, Mark Kernighan, John Linderman, Bob Martin, Howard Moscovitz, Gerard Schmitt, Don Swartwout, Howard Trickey, Peter van Eijk, Chris Van Wyk, and Mihalis Yannakakis. We thank them all.

Alfred V. Aho
Brian W. Kernighan
Peter J. Weinberger



020107981XP04062001

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Campbell Hutcheson
This book is a treasure.

19 of 22 people found the following review helpful.
The Publishers Should Be Ashamed of Themselves
By hoosac
This is a wonderful book -- but the price is ridiculous. I purchased a paperback copy of "The Awk Programming Language" about 15 years ago, and its price was in the $20 range. Times change, and prices go up, but $73 for a 200-page book, even if it is a hardcover, verges on outright theft.

Which is a shame, because this is a great book, written by the men who developed the language. In addition to a lengthy tutorial, it contains many examples of sophisticated programs that can be constructed from the simple tools provided by Awk. Anyone who supports computers for a living, whether in the Unix or Windows environment, can find valuable ideas here.

But the price: c'mon guys, you've got to be kidding. This book has been in print for 20 years now. You've long since made back the initial costs of publishing it. The authors are famous in computer science circles, and have written many other books. I'm sure they don't need the money. So I have to conclude that this is just a cash cow for the publishers.

If you're looking to learn about Awk, and you're on a budget, I would suggest "Effective Awk Programming" by Arnold Robbins. It's available in PDF form as a free download. If you'd like to support the author, buy a printed copy of the book, as I did. Published by O'Reilly, it's available in paperback at Amazon for about $26.

And if you can find a reasonably-priced copy of "The Awk Programming Language", by all means, grab it. It's a classic. Thanks to the publishers, however, it's a classic that's out of most people's reach.

4 of 4 people found the following review helpful.
Put this in your toolbox
By Donald Dwoske
I've become a big fan of Awk. Some people may tell you that Awk is outdated and no longer useful; not with other languages such as Perl and Ruby available. Well, Awk does one thing and does it well. It does it "fast enough" most of the time, and does it with a very small language.

Perl and Ruby are fine, but if you lean towards "small is beautiful", you must learn Awk. For times when you need it, it's a Godsend. I've used it recently to automatically generate SQL insert statements from some flat files and to do automatic code generation for larger languages.

Some of the best tools have survived the test of time.

In this book, I feel like I learned all the things I need to know about Awk - all the way from beginner to advanced. It's a classic. Not a lot of books get five stars for me. This book fulfills it's goals perfectly, so deserves a perfect rating.

See all 36 customer reviews...

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Kamis, 29 Agustus 2013

[K901.Ebook] PDF Ebook Selena's Secret: The Revealing Story Behind Her Tragic Death, by María Celeste Arrarás

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Selena's Secret: The Revealing Story Behind Her Tragic Death, by María Celeste Arrarás

Selena's Secret: The Revealing Story Behind Her Tragic Death, by María Celeste Arrarás



Selena's Secret: The Revealing Story Behind Her Tragic Death, by María Celeste Arrarás

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Selena's Secret: The Revealing Story Behind Her Tragic Death, by María Celeste Arrarás

20th Anniversary Edition
An intimate and investigative portrait of beloved Mexican American singer Selena Quintanilla’s murder by Emmy Award-winning journalist María Celeste Arrarás. Now with a new foreword and afterword by the author for the 20th Anniversary Edition.

There is no doubt that Yolanda Saldívar pulled the trigger and killed Tejano superstar Selena Quintanilla Pérez on March 31, 1995. But does anyone know what really happened in Room 158 of the Days Inn, moments before the crime took place? María Celeste Arrarás has many answers, and her unrivaled coverage of the murder, trial, and aftermath made her the undisputed expert on the Selena case. Arrarás shares firsthand information about the crime and the people involved—including details of her headline-making jailhouse interview with Yolanda, who repeatedly spoke of “Selena’s secret”—a powerful hidden piece of information that she refused to divulge in the courtroom but revealed to Arrarás at length. Many questions were raised, and not all were answered until this revealing interview shed light on the crime.

Why was there a suitcase filled with Selena’s clothes at the murder scene? What was the significance of the jeweled ring, adorned with the initial S that fell from Selena’s bloody fist? Who was the doctor from Monterrey who called himself Selena’s confidant and business adviser? Selena’s Secret fits together the pieces of this puzzle and depicts what really happened on that rainy day in March.

  • Sales Rank: #431903 in Books
  • Published on: 2015-03-03
  • Released on: 2015-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x .70" w x 5.50" l, .1 pounds
  • Binding: Paperback
  • 240 pages

Review
“With this book, the journalist does an impressive work of giving it context and reality with new information.” (MamásLatinas.com)

About the Author
María Celeste Arrarás is an Emmy–award winning veteran television presenter of news programs on Telemundo, Al Rojo Vivo con María Celeste, and Noticiero Telemundo. Occasionally a guest cohost of the Today show on NBC, she was selected by Newsweek to appear on the cover of its issue devoted to the “20 Most Powerful Women of the Next Generation.” María Celeste is also the author of an inspirational autobiography, Make Your Life Prime Time: How to Have It All Without Losing Your Soul, and the children’s book The Magic Cane.

Excerpt. © Reprinted by permission. All rights reserved.
Selena’s Secret CHAPTER 1 March 31, 1995: A Star Has Died
“Selena’s been shot!” someone yelled. I heard the announcement shortly after 2 P.M. on that Friday afternoon as I walked through a hallway at Univision, on my way to the newsroom of the network’s news division. That is where the offices of my show, Primer Impacto, are located. At first I mistakenly thought that the victim of the gunshot had been Selegna, a well-known Miami psychic who often appears on television. As incredible as this may sound now, my first thought was that the shooting was part of a conspiracy, an organized plan to finish off psychics and astrologers; two weeks earlier an astrologer who had a radio show had been shot to death in Miami, where our show is based. Perhaps the murderer was a serial killer unhappy with his astrological forecasts. New York City already had its own zodiac killer—a name assigned to him after he threatened to kill one person on the first day of each astrological cycle.

I flew into the newsroom on an adrenaline high and asked the producers to immediately contact Walter Mercado, the internationally famous astrologer who hosts the horoscope segment of our show, to get his reaction on what was happening. They all gave me puzzled looks, clearly wondering what I was talking about. But María López, the executive producer of Primer Impacto, had been watching me and seemed to know exactly what was going through my head without my having to explain myself. I think her brain and mine work alike. She told me that I had misunderstood what I had heard and made the victim’s identity clear: “It’s not Selegna. It’s Selena, the queen of Tejano music . . . and it’s looking pretty serious.”

As soon as María finished her words we all fell into deep silence. My colleagues had found out the news just a few moments before I had and had yet to catch their breath. Selena had been a guest on our show several times. Her last appearance had taken place barely three weeks earlier. This time the victim was not a name without a face. It was someone we knew. We all liked her because despite her fame, she never put on airs of being a superstar. On the contrary, she was quite down to earth.

Within seconds we swung into action. We had to immediately interrupt regular programming to report the event. At that moment our professional commitment had priority over any of our personal feelings.

A powerful charge filled the air and took hold of our group—that special current that flows through every journalist who realizes they’ve come across a truly major piece of news. That energy becomes our fuel, allowing us to work long hours with enthusiasm, without thought of food or sleep. That day we were going to need it.

Moved by that unusual force, we leaped to our tasks. Within fifteen seconds, I was seated at the Univision news desk in front of the standing cameras. I did not have the time to run to the studio on the other side of the building where Primer Impacto is taped. With news like this, you cannot afford to waste one single second. As I hastily put on my mike and earpiece, arrangements were being made to interrupt our regular programming. The earpiece, which we call the IFB, is connected to a cable line that allows us to receive instructions from the producer and director who work from the control room. The technological magic of this little device has come to our rescue innumerable times like this one, when we receive late-breaking news and we are forced to improvise.

I remember turning around and seeing an army of people glued to their phones, frenetically hunting for any details of what was happening to Selena. The room was tense. We were working against the clock, trying to break the news before anyone else. The goal was to provide the greatest amount of information possible in that first bulletin. We knew Selena had been shot in a motel in Texas and had been taken to a hospital where she was undergoing emergency surgery. Other than that we had no clue.

Less than ten minutes after we’d learned of the shooting, I went on the air live to report what we had managed to verify up to that moment: “Good afternoon. I’m María Celeste Arrarás. We interrupt the program you are watching to inform you that Selena Quintanilla Pérez, the lead singer for Los Dinos, has been shot and is now in critical condition at Corpus Christi Memorial Medical Center. Right at this moment she’s undergoing surgery. Selena was shot at the Days Inn motel of that city, and details of the incident are still unknown. We are getting news bit by bit. As soon as we learn more about what happened at the motel and the singer’s condition, we will bring you an update.”

We did it. We were first with the news. Normally, this is cause for celebration and congratulations. In the world of news reporting, timeliness and credibility are of utmost importance and are achieved only by being first on the air with the most precise account of an event. But this victory was a bittersweet one. The news could not have been sadder or touched us more deeply.

After the news brief, I turned to my computer. There still was nothing to be found on the wire services about this event in Texas, which meant that we were way ahead of the other news media.

The phones at Univision would not stop ringing. Viewers were calling in disbelief, hoping we would tell them we had made a mistake. At that moment, even we did not imagine that we were facing the most important news of the year for Hispanics.

Our news team had its hands full: searching for videos of Selena, calling the Days Inn, the hospital, the singer’s home, her boutiques, her friends, her relatives. The information we were getting was contradictory, and there were no reliable sources we could count on to keep our public informed.

Again I sat down at the Univision news desk. Once more I hooked myself up to all the electronic tools that helped me stay in touch. I started writing down all the details that I knew about Selena’s musical career. I wanted to be prepared in case of an important development, and thanks to that effort what happened next did not catch me off guard. After a couple of minutes, the show’s associate producer told me, “There’s bad news. We’re on the line with the hospital and it looks like Selena’s condition is worse.” Alina Falcón, the vice president of the news department, gave orders to interrupt regular programming once again. Tragically, it was the right decision. At the very moment when I opened my mouth to report on the late-breaking developments, and just when I was about to say that Selena had been wounded, the news we had all feared reached my ears through the IFB: “She’s dead.”

These words left me chilled to the core, as though someone had drenched me in ice water. In those thousandths of a second, many thoughts and feelings raced through my mind, but the habits of my profession helped me respond rapidly. Neither my expression nor my words betrayed me. I heard myself announce that Selena had died.

When the special bulletin was over, I thought of how young Selena was. She was only twenty-three years old! What could possibly have happened? A wave of terrible rumors rocked us in the minutes that followed. Someone heard a conversation on the internal radio frequency used by the Corpus Christi police. One officer was saying that it was all due to a love triangle between Selena and the Tejano music singer Emilio Navaira, who was also married. Supposedly his wife had shot Selena after surprising the two in each other’s arms. The rumor was reported on some local radio stations but was quickly dismissed. Then there was gossip that Selena’s assistant had killed her in a confrontation that hinted at a lesbian affair. But we aired nothing of what we heard until we were able to ascertain what was true. We avoided the temptation of repeating unsubstantiated rumors just to make the news more impressive. For that reason, I feel proud that nothing was ever said on our show that did not adhere strictly to the truth. My team shares those journalistic ethics, and although there are those who say that our show smacks of sensationalism, on that day we proved, once again and above all, that Primer Impacto is a responsible show.

In the middle of the afternoon I really felt the absence of my cohost, Myrka Dellanos-Loynaz. Of all days to have off! When there are two anchors and there is breaking news like this, the pressure is not as intense because it is being shared. Not only is the actual workload carried by two people, but also when you go live on the air, it is much easier to squeeze out of a tight spot. As one of us is speaking, the other one is mentally rehearsing what she will say next or is listening to instructions via the IFB. When you are alone in front of the camera and have to improvise because there are last-minute changes or new information, you are forced to simultaneously concentrate on what you are saying and pay attention to whatever it is you are being told from the control booth. Believe me, there is an art to talking and listening at the same time and to being able to make what you are saying come across as logical and coherent. It takes years of training to learn this skill.

At one point, we received a call from the reporter we had sent to the Days Inn. She had verified that Selena had been shot by the woman who managed her clothing business. Her name was Yolanda Saldívar. But there was more: The suspect had holed up inside a pickup truck in the motel’s parking lot. At that exact moment, she was holding a gun to her head, threatening to kill herself.

The show’s producers flew into a frenzy. They were immediately trying to get a satellite feed from Corpus Christi to obtain live coverage from the Days Inn. In order to save time—we were in the midst of preparing for our 5:00 edition of Primer Impacto—we moved a TV camera to my desk in the newsroom, where I had my computer and the wire service updates at my fingertips. I would be able to continue working on my script for that evening’s broadcast while at the same time updating viewers with special bulletins as I received information through the wires.

Just a few minutes before the start of Primer Impacto, I passed the control room on the way to the set. Madness reigned. There were so many reports coming in from the news wire at the same time that a river of paper was flowing from the printer. The telephones rang incessantly. The director shouted instructions nonstop. On the various TV monitors I could see half a dozen of our correspondents getting ready to go live during the show. They awaited their turns in front of Selena’s boutique in Corpus Christi, in front of her store in San Antonio, at the hospital and in front of the singer’s house. Our Los Angeles correspondent already had several people lined up, waiting for their reaction to the tragedy. María López talked into two phones at the same time, giving instructions to each of the Primer Impacto bureaus in Texas that she had on the line. She slammed down one receiver and continued the other conversation. “I want live coverage [of Yolanda Saldívar] right now!” she hollered, pounding the table with her fist. “We have to start with that!” In order to get the job done, an executive producer has to be strong-willed. Luckily for us, María could more than handle the job.

I rushed to our set with the script notes that I had made that afternoon in hand, knowing they might be useless. You cannot plan a show when the news takes on a life of its own. As I reached the Primer Impacto desk, I took a deep breath. I was ready for what awaited me. These moments of tension and uncertainty are the most powerful ones of our profession. For me, they are also a fascinating challenge. It was a great shame that all this energy stemmed from such a sad event. Unfortunately, that is not uncommon. News of this magnitude is often tragic.

At the top of the hour we began our broadcast. As the opening headlines rolled, María warned me that we were having an audio problem with the satellite signal from Corpus Christi. If we could not correct it in time, we would lead off with our correspondent in San Antonio. It was not what we wanted but we had no other choice. When I started my report on the afternoon’s events, I received cues through the IFB to “stretch” my opening comments. The audio signal was about to be corrected. “Stretching” is TV slang for improvising, for killing time by talking; it allows the technical crew more time to fix the existing problem. Lucky for us, we needed only a few seconds. As soon as I heard the producer’s magic words, “We’re rolling; let’s go to the motel,” I introduced our reporter at the scene. It was riveting to watch the action unfolding there. Dozens of police officers, armed to the teeth, surrounded a pickup truck. From far away, the cameras could barely make out the figure of the woman inside who had turned herself into her own hostage.

Police were keeping reporters and their crews from getting too close to the scene. Now I understand why: The negotiations to obtain Yolanda’s surrender were going nowhere. Using a cellular phone installed in the truck, she kept in contact with the agents, but her other hand kept the gun barrel pressed to her temple. On more than one occasion she requested that all TV cameras be removed from the area. Months later during the trial against her, it became clear how tense and dramatic the conversations between the suspect and the officers truly had been. But on this afternoon, no one imagined that Yolanda was disclosing powerful information from inside the truck and that her words were being recorded.

In Corpus Christi, we went live to another location where a press conference was being held by someone who was not well known at this point: Abraham Quintanilla, Selena’s father. Beaten down by his pain, barely able to maintain his composure, he confirmed what we already knew and answered a few questions from reporters. He acknowledged that the prime suspect had been employed by his daughter and declared that for some time they had had problems with her because she was stealing from them. At first glance it all seemed very simple. The truth would prove to be far more complicated.

From there we went live to several other locations in Texas and California, finding people already in tears over Selena. From the control room we used different satellite feeds to capture the mournful reactions from across the country. We spoke with a tearful member of the musical group the Barrio Boyzz, a Latin group with whom Selena had recently taped a music video. We found him in Puerto Rico. His quaking voice made it obvious that he had just found out the news.

In the middle of the buzz and frenzy a producer rushed into the control room with a video exclusive—one never seen before—for us to air. Someone in our affiliate station in Corpus Christi had unearthed it in their video library and sent it to us via satellite. The tape shows Selena and Yolanda on the day the singer opened one of her two clothing boutiques, Selena Etc., a few months before the murder. The images barely fill twelve seconds of airtime, but during those moments the two characters appear to be displaying a wide range of emotions. They stand alone in a corner, whispering in each other’s ears. Selena appears to be sharing a secret with Yolanda. We see how at first Yolanda’s reaction is serious, then surprised and finally amused. Seeing them like this, gossiping and laughing, it was obvious there was a great camaraderie between them. But what secret were they sharing? What were they talking about? We watched the video in slow motion and the effect was chilling. They seemed so inseparable, such close friends. And to think that just a few hours earlier one of them had put an end to the other’s life. Who would have imagined it? Even now, after all this time, when I watch those images I get goose bumps.

After we aired the brief video, the lesbian rumors increased. Those who did not know the protagonists of this drama reached their own dirty-minded conclusions merely because the shooting involved two women in a motel room. During a commercial break, I heard one of the studio cameramen say suggestively, “Seems to me that something very strange happened there.” This disturbed me. It wasn’t just the comment by itself; it was the innuendo and the morbid joy in his tone. I sensed that another cameraman standing nearby had read my thoughts because he cut him off brusquely: “Hey, guy, give it a rest . . . What a pervert!”

In short, we dedicated the entire program to the topic of Selena’s death. Even our meteorologist, John Morales, who usually was caught up in his weather satellites and forecasts and who had yet to learn of the events, had to do a last-minute weather forecast for Corpus Christi. It would rain that night.

To close the show we repeated part of the interview we had done with Selena weeks earlier. Ironically, it had become the last live interview Selena would ever give. Watching her talk about her plans for the future gave the show an unforeseen dimension. It would chill anyone’s blood. I remember her describing her dream home. She had bought ten acres of land in Corpus near some botanical gardens and described how in the early evening hundreds of birds would fly by. She wanted to build the house overlooking a lake because “it was the most romantic view of the property.” Now this would never be.

Thankfully, the show came out “clean,” without technical errors, as we say in our business. Our viewers would never know we had been walking on eggshells from beginning to end. And we had never looked down.

The standoff seemed endless. We were ready for a resolution at any moment. Since our national edition is not seen in California until three hours later, we stay at the studio whenever there are new developments in a major news story so we can air them live on the West Coast. In this case, it was absolutely necessary. So we produced an entirely new edition for our West Coast audience. Yet when we finished at 9:00 P.M. Miami time, negotiations between Yolanda and the police were still in the works.

Although it was a Friday night, we immediately had to start preparing a special show dealing with the events for the following Tuesday’s regular late-night edition of Primer Impacto. The first thing we did was to send our then host in charge of the entertainment segment of our show, Mauricio Zeilic, to Corpus Christi to cover the funeral and its related events. Mauricio is much happier when you give him plenty of time to get ready for a plane trip. He needs the time to prepare himself mentally against his panic-level fear of flying. But on this occasion, despite the short notice, he was able to manage his fears in light of the magnitude of what was happening. “What time’s my flight?” he asked gently. In a few hours he was on board a jet like a true professional.

Without a moment’s break, we contacted all our correspondents in Mexico and the United States so they’d be available to work the weekend. The storm of events required that we have the widest coverage possible.

As always, once we were finished with our broadcast, we were still wired. But once we were back to our relatively normal pace, I had time to process events. I could not rid my mind of the picture of Selena and Yolanda, talking privately and laughing like the best of friends. I kept asking myself the same questions over and over: Who was this mysterious woman and why had she shot such a sweet and charismatic girl? What had happened inside room 158 of the Days Inn motel? What was the one event that set off this tragedy? At that moment, I became determined to find the answers. I never expected that it would take me so many long months to find them.

Shortly after 10:30 P.M. that evening, I heard a yell as disturbing as the one that first told me Selena had been shot. “She’s turned herself in!” I turned to the twenty monitors that cover our newsroom wall and I saw a whole gang of Yolandas, one on every screen. One policeman was covering her with a jacket to protect her from the cameras and the rain. John Morales had been right: It was pouring.

Although the officers moved Yolanda into the patrol car as fast as they could and sped her away, the seconds seemed to trickle by in slow motion.

It was at that moment that I had the instinctive feeling that this was not the end, but the beginning of the story.

Most helpful customer reviews

48 of 52 people found the following review helpful.
Waste of your time!
By Sol Jim
I bought this book along time ago. The book is basically based on what Yolanda Saldivar's side of the story is. So if your a huge Selena fan and know that Yolanda's story of events on March 31, 1995 are false, then don't waste your time. Yolanda saldivar knows Selena is not here to speak for herself no longer and has used it to her advantage in everyway. She claims she has some big secret but till this day has not said what it was even 14 years later. The reality of the situation is Yolanda is in prison, she has nothing better to do. She sits in her cell having to think about what she did for the rest of her life and why she's in there. She tries to come up with new things to claim her innocence. One of these ways was claiming Selena had a "secret". Ms Arras obviously bit into it. Yolanda has never revealed the "secret" because there isn't one. And if she does reveal this so called "secret" then nobody will care anymore what she has to say. Saying she has a secret about Selena gives Yolanda that power to still be in the public eye..obviously if people like Ms.
Arras are writing books about it. The sad part is, is that people actually believe and bite into what Yolanda has to say. And Selena is not even here to defend herself anymore.

0 of 0 people found the following review helpful.
I really having a hard time believing that, Selena ...
By Amazon Customer
I really having a hard time believing that, Selena ever had a affair with the man who was working for her at one of her shops in Mexico..
I don't feel that should have been written in this book..

1 of 1 people found the following review helpful.
Three Stars
By Kindle Customer
OK but too much repeating of the same content.

See all 110 customer reviews...

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Senin, 26 Agustus 2013

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  • Sales Rank: #108408 in eBooks
  • Published on: 2015-03-24
  • Released on: 2015-03-24
  • Format: Kindle eBook

Most helpful customer reviews

4 of 4 people found the following review helpful.
Thorough and informative
By R. Luke
I have been looking to diversify my long term investments and was interested in learning more about annuities. I found the book to through and detailed, starting with the basics to more advanced investment information. The author clearly laid out the concepts in an easy to follow manner.

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2 of 2 people found the following review helpful.
Finally! Someone Explains Annuity
By Barbara L
Excellent! Well done. Perfect for someone like me who avoids financial knowledge even though having an advanced understanding of this subject is a necessity for successful living. I found myself taking notes; this is a positive sign that the information was interesting, easy-to-read, easy-to-understand and easy-to-apply. I would re name the book Everything You Need to Know about Annuity because the book was detailed and written for someone who doesn't know very much about this subject as well as someone knows a lot but needs a desk reference. The book covers the basics and includes advance information. The advance information was easy to understand because the basic foundation information had been presented. I loved the definition section best. The definitions were easy to understand. I didn't feel overwhelmed or confused. The book is short but filled with useful information. I will definitely keep this as a reference. I recommend this book to all adults. All of us need to know and understand the information it explains.

2 of 2 people found the following review helpful.
Great source book for retirement planning!
By Jeff
Looking for a thorough, detailed explanation of annuities? This is the book for you. Mr. McLeod explains the many variables of using annuities to secure your financial future concisely and clearly. This book is a short, dense read, packed with information. Along the way McLeod leaves many nuggets regarding things to beware of and explains details that matter to how you set up your annuity. This book should serve as a great reference for your retirement planning library. Mr. McLeod demonstrates a deep understanding of the subject and presents it extremely well. Highly recommended.

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Jumat, 23 Agustus 2013

[T732.Ebook] PDF Ebook Beyond Successful and Active Ageing: A Theory of Model Ageing, by Dr. Virpi Timonen

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Beyond Successful and Active Ageing: A Theory of Model Ageing, by Dr. Virpi Timonen

These days, the concept of successful and active aging has become near ubiquitous, deployed by policy makers and marketing professionals alike. Beyond Successful and Active Ageing argues that while this approach to aging may seem benign, it actually exacerbates inequalities among older populations. Virpi Timonen puts forth a new theory designed to make sense of the popularity of these concepts and enable readers to view them through the prism of model aging, a theory that sheds light on the causes and consequences of attempts to depict aging as a stage of life that requires direction, reshaping, and control.

  • Published on: 2016-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x .60" w x 5.00" l, .47 pounds
  • Binding: Hardcover
  • 112 pages

Review
“Timonen is a fine theorist and critical thinker. This book will challenge readers to revisit their notions of a good old age.” (Norah Keating, University of Alberta, Canada)

“This book challenges the pervasive model of successful aging through both cogent critique and penetrating analyses of its policy and practice implications. The proposed alternative frame of ‘model aging’ is a unique and important contribution to knowledge and understanding.” (Anne Martin-Matthews, University of British Columbia, Canada)

“Anyone who uses ‘active’ and ‘successful’ aging as concepts in their policy, research, or advocacy work, needs to think carefully about what these mean. Timonen’s book provides a valuable, if sometimes challenging, aid to doing this.” (Judith Davey, Victoria University of Wellington, New Zealand)

About the Author
Virpi Timonen is professor of social policy and aging at the School of Social Work and Social Policy, Trinity College Dublin, Ireland.

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Kamis, 15 Agustus 2013

[X214.Ebook] PDF Ebook Beyond Suffrage: Women in the New Deal, by Susan Ware

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Beyond Suffrage: Women in the New Deal, by Susan Ware

The New Deal administration of Franklin Roosevelt brought an unprecedented number of women to Washington to serve in positions of power and influence. Beyond Suffrage is a study of women who achieved positions of national leadership in the 1930s. Susan Ware discusses the network they established, their attitudes toward feminism and social reform, and the impact they had upon the New Deal's social welfare policies and on Democratic party politics.

  • Sales Rank: #822776 in Books
  • Brand: Brand: Harvard University Press
  • Published on: 1987-01-01
  • Released on: 1987-01-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .54" w x 6.13" l, .70 pounds
  • Binding: Paperback
  • 216 pages
Features
  • Used Book in Good Condition

Review
A sensitive collective biography of twenty-eight women New Dealers and...a description of their tactical means of operation...All can unite in thanking Ware for opening a uniquely political chapter in women's history and for revitalizing the historiography of the New Deal. (Journal of American History)

This is an excellent book. The story it has to tell is a new and compelling one. (Kathryn Kish Sklar, University of California, Los Angeles)

About the Author
Susan Ware is the editor of volume 5 of Notable American Women, under preparation by the Radcliffe Institute for Advanced Study and the Harvard University Press.

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Kamis, 08 Agustus 2013

[J124.Ebook] PDF Ebook Ben Shapiro: Volume I, by Ben Shapiro

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Ben Shapiro: Volume I, by Ben Shapiro

Ben Shapiro is a nationally syndicated opinion columnist for Creators Syndicate. This is a collection of the very best of Ben Shapiro from 2014

  • Sales Rank: #278032 in eBooks
  • Published on: 2015-07-20
  • Released on: 2015-07-20
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
Excellent thoughts. To the buyer
By Pastor Ed
Ben is consummate conservative. Excellent thoughts.
To the buyer. beware that on 4 or 5 occasion in the Kindle version....a skip occurs and you lose 3 to 5 pages and then the writing continues.

Still a great read.

0 of 0 people found the following review helpful.
Ben Shapiro is a brilliant young man
By marymertz1
Ben Shapiro is a brilliant young man. He is unafraid to tell it like it is and with great clarity and facts to back it up...

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Minggu, 04 Agustus 2013

[E710.Ebook] Fee Download The Early Growth of the European Economy: Warriors and Peasants from the Seventh to the Twelfth Century (World Economic History Series)B

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The Early Growth of the European Economy: Warriors and Peasants from the Seventh to the Twelfth Century (World Economic History Series)B

An important single-volume survey of European economic history during the formative Medieval centuries.

  • Sales Rank: #182654 in Books
  • Brand: Brand: Cornell University Press
  • Published on: 1978-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.41" h x .64" w x 5.32" l, .79 pounds
  • Binding: Paperback
  • 292 pages
Features
  • Used Book in Good Condition

Review
"This . . . important single-volume survey of European economic history during the formative medieval centuries . . . belongs in the great French scholarly tradition initiated by Marc Bloch. Not only does this sensitive and complex analysis of economic and social life from the seventh through the twelfth century introduce the reader to a sequence of fascinating problems, but also it allows him to come to appreciate the inner workings of Duby's mind. . . . This book offers a detailed description of the changing character of agrarian life leading up to the 'take-off' of the 12th and 13th centuries. Leading aspects of the technology, the landscape, the demography, the diet, the climate, etc., are placed against the backdrop of emerging mental attitudes pertaining to money, burial customs, marriage, etc. Duby possesses the talent to translate socioeconomic detail into the stuff of everyday life."―History: Review of the New Books

"This is a splendid book and confirms Georges Duby's standing as one of the best writers of historical synthesis among medievalists today. Few contemporary scholars have shown as much ability both to carry out detailed original research and to generalize about the findings of others."―Speculum

Language Notes
Text: English, French (translation)

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0 of 1 people found the following review helpful.
As discribed and in New condition
By Mike Renkenberger
As discribed and in new condition. I'll add it to my reading list this year and will update my review once I read it.

0 of 1 people found the following review helpful.
Four Stars
By Wojciech Potkanski
GOOD

23 of 24 people found the following review helpful.
Ground-breaking, but outdated
By Glenn McDorman
Duby's work was ground-breaking in the 1960s, but has now become outdated. That is not to say that his arguments and analyses have proven wrong or been supersceded. It is outdated simply because it has been incorporated into much more detailed and comprehensive accounts written in the last thirty years (particularly by Norman Pounds).
That does not mean that this book is not worth reading. Duby's piece still provides a unique perspective. Although the work as a whole has been incorporated into much bigger books, no one has focused on the same characteristics that he has. Duby writes wonderfully on the gift and plunder economy, the importance of the medieval world-view to economic growth, and the change in technology. Duby's work is most valuable, however, for the image it creates. Duby follows in the French tradition of writing "impressionist histories." In this way Duby gives an excellent idea of what it was like to live in the early medieval period. In many ways The Early Growth of the European Economy is the perfect companion to Marc Bloch's Feudal Society.
This book is still worth reading because of the focus it has and the impression it gives. At under three hundred pages, it is a quick read, and provides an excellent introduction to the topic.

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