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Goldilocks and the Three Bears, by Gennady Spirin
Download Goldilocks and the Three Bears, by Gennady Spirin
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Gennady Spirin has taken a favorite childhood tale and imbued it with charm, dressing his bears in Renaissance costumes and providing whimsical and charming furniture designed for their country dwelling. Each spread—painted in watercolor, pen, and ink—brings renewed life to this endearing children’s classic in a way that only a master illustrator can. No wonder Goldilocks want to sample the bears’ porridge, sit on their chairs, and rest on their beds!
- Sales Rank: #204303 in Books
- Brand: Brand: Two Lions
- Published on: 2009-03-01
- Released on: 2009-03-01
- Original language: English
- Number of items: 1
- Dimensions: 10.60" h x .50" w x 9.10" l, 1.05 pounds
- Binding: Hardcover
- 32 pages
- Used Book in Good Condition
From Publishers Weekly
In his adaptation of the Goldilocks story, Spirin's (The Lord Is My Shepherd) lush colored pencil and watercolor spreads are as elaborate as the text is simple. Against white backdrops, Goldilocks and the bears are drawn in great realistic detail, along with judicious use of ornate setting details and delicate page ornamentation. These bears have fierce claws and teeth, but their apparel is nothing short of royal, dotted with jewels and pearls, and trimmed with feathers and gold. The text, conversely, is completely free of metaphors or complex sentences, the story stripped to its tag-line essence: "Who's been sitting in my chair?" asks each bear parent as Little Bear laments, "My chair's broken!" The suspenseful scene as the bears find Goldilocks asleep in Little Bear's well-appointed bed is followed by an abrupt illustration in which Goldilocks runs away, looking more gleeful than terrified, as each of the bears says, "Bye," and the narrator informs the reader, "And that's the end of the story!" Goldilocks' face doesn't always transmit her emotions clearly, but overall this is an enchanting-visually, at least-version. Ages 3-7.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
PreSchool-Grade 2—Spirin's version of this classic pairs a simple, straightforward retelling with lush Renaissance costumes and elegant page designs. The bears, rendered in watercolor and colored pencil, are solid, realistic creatures, revealing sharp teeth and claws. Papa and Mama Bear, generally appearing together in their fur-trimmed garments, dominate their vertical space—in contrast to their diminutive son. The setting is created with richly realized essentials: solid porridge bowls, carved chairs, ornate beds, a massive stucco and wood-trimmed dwelling. Expansive white space surrounds the characters on most spreads, with embellished lines creating decorative, horizontal borders on selected pages. The creatures seem to regard their intruder more as a curiosity than a criminal; as the golden-haired child runs away down the path, they simply wave and call out their farewells. A source note concludes the text. The Goldilocks shelf is crowded; readers can turn to James Marshall for humor, Jan Brett for details, Valeri Gorbachev for whimsy, and Jim Aylesworth for Victorian, to name but a few. This newcomer will be embraced for its visual clarity and sumptuous style at storytimes and bedtimes alike.—Wendy Lukehart, Washington DC Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Retelling the familiar nursery tale, Spirin retains its brevity and much of its charm. The artwork dresses the characters in elaborate Renaissance costumes and occasionally places them before fully painted backdrops but usually shows them and a few props (bowls, chairs, beds) as cutouts against clean, white backgrounds. Since the style of Spirin’s watercolor and colored-pencil artwork is relatively sophisticated and richly detailed, this technique makes the pictures clearer and more accessible to young children. The bears have great physical presence, and unlike those in most dressed animal tales, here they seem quite wild—inhuman and untamed—for all their elegant trappings. Goldilocks is a pretty blond charmer with an occasional frozen, toothy smile reminiscent of a first-grader facing the lens on school picture day. An appended note provides a brief history of the story, noting changes in several versions from 1831 to 1904. Although many fine editions are available today, this nicely designed book would be a handsome addition to larger collections. Preschool-Grade 2. --Carolyn Phelan
Most helpful customer reviews
7 of 8 people found the following review helpful.
Exquisite
By OutlawPoet
First, you should know that this is a very basic and traditional retelling of Goldilocks. If you are looking for something updated or humorous, you'll want to keep looking.
However, the story as it stands is still perfect, just the way it was when we grew up. But it's supplemented by some of the most exquisite illustrations I've seen lately in a children's book. The book is a work of art that simply begs to be kept on the nightstand, rather than shoved in a book case with the rest of your child's books.
I thought at first that my daughter might be too young to appreciate the beauty of the book, but she loves it. The illustrations are incredibly detailed and she loves picking out little things she didn't notice the first time we read the book.
This just might be one of those heirloom books that we'll pass on to the next generation as well.
Simply beautiful!
3 of 3 people found the following review helpful.
beautiful artwork
By Maggie
You'll want to slow down and study the illustrations. There are so many visual statements. My six year old and I laughed at the ridiculous. We oohed and aahed at the beautifully rendered characters and their surroundings. This was a fun picture book. .
2 of 2 people found the following review helpful.
Basic re-telling of the story with washed out but elaborate illustrations
By iiiireader
This version of Goldilocks and the Three Bears is a stripped down and basic re-telling of the story. There are no elaborations or new twists as far as the tale goes. The price point is kind of high and I am assuming that it is because of the illustrations. While many have liked those, I find them a bit washed out and kind of cut and paste photoshop feel to them. I would have liked to have seen some form of background to given a richer feel to the illustrations but instead they are placed on a white page in a cut out form. The colors could have been richer given that the illustrations put the story in the Renaissance. It is an okay book but one which could have been better given the price.
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